Updates
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White Wolf’s Screen Test Went Swimmingly. Now We Wait.
White Wolf’s screen test at Bernardsville Cinema went swimmingly. Now comes the excitement, the nerves, and…
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White Wolf’s Copyright Registration Application Is Submitted. Next Stop: the Big Screen.
The copyright registration application for the finished White Wolf / Lobo Blanco film has been submitted…
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Eleven Festivals, One Feature—and Now We Wait
The full White Wolf / Lobo Blanco feature is entered in eleven film festivals. Here’s the…
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We Won: White Wolf Takes Best Trailer at the New York Istanbul Short Film Festival
White Wolf / Lobo Blanco wins Best Trailer at the New York Istanbul Short Film Festival—our…
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Our First Small Victory: White Wolf’s Trailer Is a Festival Finalist
The White Wolf / Lobo Blanco trailer is a finalist at the New York Istanbul Short…
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White Wolf / Lobo Blanco: The Finish Line Is in Sight
After a week of heavy finishing work, White Wolf / Lobo Blanco is on the cusp…
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Protecting the Story: White Wolf’s Screenplay Registration Milestone
I’ve completed the U.S. Copyright Office and WGA registration filings for the White Wolf / Lobo…
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White Wolf Just Found Its Ace in the Hole: Runway
Runway and Aleph 2.0 have joined the White Wolf editing workflow. With a new Premiere Pro…
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V11 Is Holding: The GSFF Submission Is Looking Strong
White Wolf V11 finally feels like a finished film. With the last color and sound passes…
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Making 300 Shots Feel Like One Film: Color and the Road to V5
After the first full rough cut, White Wolf needed shot matching, grading, sound and honest feedback.…
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0 for 4. Eight More to Go.
TMFF was our fourth festival no. Eight decisions remain, GSFF’s full-feature deadline is nearing, and a…
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Fixing the Frame Without Losing the Scene: WAN 3.0 and Prime
When a strong take has one distracting defect, targeted in-place edits can preserve the performance and…
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White Wolf Wasn’t Selected for AI.motion. We Keep Moving.
The White Wolf trailer was not selected for AI.motion. I’m disappointed, but the film moves forward—and…
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Finding the Pulse: Scoring White Wolf with Suno
The music existed before the film was picture locked. Making it work meant shaping cues to…
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From Footage to Film: The Premiere Timeline and an AI.motion Decision
Upscaling and organizing the footage turned hundreds of clips into a movie. Today I am also…
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Three Hundred Clips, One Movie: Shooting with Pollo and Seedance
From 35 clips in June to a completed production in August, White Wolf grew one short…
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Before the First Frame: Building White Wolf’s Visual Bible
A 13-chapter script still needed consistent faces, locations, wardrobe and camera language. This is how White…
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How White Wolf Began: A Father, a Script, and 18 Character Looks
The White Wolf production story starts in late May with character sketches, then a 13-chapter screenplay…
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V10 Is the Best Version of White Wolf Yet
V10 is the strongest version of White Wolf yet. Since V7, the cut has grown tighter,…
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Am I Ready to Submit the Full Film to GSFF?
White Wolf has progressed rapidly through post-production. I am now seriously considering a separate full-feature submission…
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Round Three: The QC Sprint That Pushed White Wolf Over the Line
A deep V6 review found the final continuity and presentation problems. The V7 response brought White…
